08 Jul

Interview with Propagandhi

As they are getting ready for the busiest touring period in their long career, Canadian punk veterans Propagandhi break the drought with Supporting Caste, their first album in four years. Truepunk speaks with drummer Jordy Samolesky about playing Italian squats and standing up for the little people.

You can read the original here: http://www.truepunk.com/interviews/interview-with-propagandhi/

Formed in 1986 by Samolesky and guitarist Chris Hannah, Propagandhi’s penchant for taking extended breaks has kept them off the live scene but has ironically given the band a longevity few acts dream of.

“We actually had a few periods where we’d take as much as two years off, either we’d stop touring to start writing a new album or something like that,” says Samolesky from Winnepeg of the band’s two decade tenure. “So we haven’t played ourselves out to the point where we’re completely sick of our material.

“More recently we added a new guitar player Beav (David ‘Space Beaver’ Guillas) to the band and kind of spent a good couple of seasons working him into the new stuff and writing new material. So we haven’t been too active on the road really.”

All that is about to change as Propagandhi, now a quartet, embark on a very busy 2009 to promote their newly released fifth album Supporting Caste, issued by their own imprint G7 Welcoming Committee, after four albums on Californian indie punk label Fat.

“I wouldn’t say it’s straight ahead in terms of our early stuff like our How To Clean… album, it’s definitely not like that,” offers Samolesky. “But I wouldn’t say it’s prog-rock or metal or anything like that. I think we have a lot of elements of our earlier stuff but it’s layered a little more effectively now.”

Recorded at the increasingly popular The Blasting Room studios in Colorado with engineer Jason Livermore and drummer-cum-producer Bill Stevenson, formerly of Black Flag, Descendents and ALL, the album addresses themes close to the band members’ socially aware hearts.

“I guess one take on it could be – and it’s certainly open to interpretation – it’s kind of like we’re all this supporting caste for the powers that be who are the top of the caste in the caste system,” says Samolesky of the record’s title. “But it’s more of a global thing, it’s not really based on the Indian caste system.

“I think we have to realise what our different roles are in this sort of supporting caste system whether you’re at the bottom and you’re the most marginalized and powerless or completely exploited to death or if you’re in a relatively more privileged caste where you have the ability to do something to change things …

“We’re all written into this ongoing story and the history’s always written by the victors, the people at the top of the heap. But it’s all based on a false sense of reality.”

Supporting Caste may also be regarded as a continuum of the band’s long-held championing of grassroots, non-profit and community-minded initiatives that have seen them perform at atypical rock venues over the years for a variety of causes.

“We’re all more inspired by the independent side of music and if there are counter-cultural elements then I think we’re into some of those,” says Samolesky. “I think just being able to see different examples of independent and anti-authoritarian culture around the world has been really interesting. One thing comes to mind is playing in some of the squat scenes in Italy and until a number of years ago, in Germany as well, that was really inspiring.

“Some of the places we played were absolutely incredible and examples of forms of participatory democracy with people living an independent lifestyle in a really successful and interesting way. We’ve played factories and an armoury I believe it was from the 17th century.”